Serpentine Gallery Pavilion, Architect, Kensington Gardens Design, Project, Pictures, England
Serpentine Pavilion 2014
Arts Project in Kensington Gardens, London, UK – design by Smiljan Radic, architect
24 Jun 2014
Serpentine Pavilion 2014 Opens
Serpentine Pavilion designed by Smiljan Radic Opens for Summer
AECOM’s second Serpentine Pavilion is unveiled today in Kensington Gardens.
In March AECOM was appointed, for the second time running, to this year’s Pavilion, designed by Chilean architect, Smiljan Radic. The team, led by David Glover, AECOM’s Global CEO of Building Engineering who has worked on most of the Pavilions since its inception in 2000, provided engineering and technical services for the project. Additionally, this year AECOM was also appointed to provide cost and project management services.
The team worked closely with Radic, who at 48 is one of the youngest and lesser known architects selected for the Pavilion, to deliver the temporary, semi-translucent, cylindrical structure.
The design was influenced by Smiljan Radic’s 2010 papier mâché sculpture, The Selfish Giant’s Castle, which was inspired by the Oscar Wilde story. The challenge for AECOM lay in finding a way to create a life size representation of a papier mâché castle that was strong enough to withstand the hundreds of thousands of visitors that the pavilion attracts every year and whilst remaining attractive for its future owner. With the use of glass reinforced plastic (GRP), a steel frame and a dedicated team, AECOM was able to rise to the challenge and erect the structure on-site in just six weeks.
David Glover, commented: “The Serpentine Pavilion is internationally recognised as one of the most important and exciting projects in London’s cultural calendar and AECOM is pleased to be working with Smiljan, the Serpentine team and Stage One for this year’s Pavilion. We have worked to ensure Smiljan Radic’s vision for the pavilion is maintained, while delivering it within the project’s tight timeframe. This is always a big challenge, but it is what makes the Pavilion such a special and exciting project to work on.”
Smiljan Radić, designer of the fourteenth Serpentine Pavilion, said: “The Serpentine 2014 Pavilion is part of the history of small romantic constructions seen in parks or large gardens, the so-called follies, which were hugely popular from the end of the 16th Century to the start of the 19th. Externally, the visitor will see a fragile shell suspended on large quarry stones. This shell – white, translucent and made of fibreglass – will house an interior organised around an empty patio, from where the natural setting will appear lower, giving the sensation that the entire volume is floating. At night, thanks to the semi-transparency of the shell, the amber tinted light will attract the attention of passers-by, like lamps attracting moths.”
The Pavilion will remain open from June until October, during which time visitors are encouraged to enter and interact, making use of the multi-purpose social space and café.
Last year’s Serpentine Pavilion, for which AECOM provided engineering and technical services, was one of the most popular and talked about in the 14-year history of this high-profile architectural programme. The cloud-like structure, designed by Japanese architect, Sou Fujimoto, was visited by almost 200,000 people over four months in 2013.
12 Mar 2014
Serpentine Pavilion 2014
Serpentine Pavilion design by Smiljan Radic
The Serpentine has commissioned Chilean architect Smiljan Radic to design the Serpentine Galleries Pavilion 2014. Radic is the fourteenth architect to accept the invitation to design a temporary Pavilion outside the entrance to the Serpentine Gallery in Kensington Gardens. The commission is one of the most anticipated events in the cultural calendar, and has become one of London’s leading summer attractions since launching in 2000.
Smiljan Radic’s design follows Sou Fujimoto’s cloud-like structure, which was visited by almost 200,000 people in 2013 and was one of the most visited Pavilions to date. Previous Pavilions have been designed Herzog & de Meuron and Ai Weiwei, 2012; Peter Zumthor, 2011; Jean Nouvel, 2010; Kazuyo Sejima and Ryue Nishizawa, SANAA, 2009; Frank Gehry, 2008; Olafur Eliasson and Kjetil Thorsen, 2007; Rem Koolhaas and Cecil Balmond, with Arup, 2006; Álvaro Siza and Eduardo Souto de Moura with Cecil Balmond, Arup, 2005; MVRDV with Arup, 2004 (un-realised); Oscar Niemeyer, 2003; Toyo Ito and Cecil Balmond – with Arup, 2002; Daniel Libeskind with Arup, 2001; and Zaha Hadid, who designed the inaugural Pavillion in 2000.
Occupying a footprint of some 350 square metres on the lawn of the Serpentine Gallery, plans depict a semi-translucent, cylindrical structure, designed to resemble a shell, resting on large quarry stones. Radic’s Pavilion has its roots in his earlier work, particularly The Castle of the Selfish Giant, inspired by the Oscar Wilde story, and the Restaurant Mestizo, part of which is supported by large boulders. Design as a flexible, multi-purpose social space with a café sited inside, the Pavilion will entice visitors to enter and interact with it in different ways throughout its four-month tenure in the Park. On selected Friday nights, between July and September, the Pavilion will become the stage for the Serpentine’s Park Nights series, sponsored by COS: eight site-specific events bring together art, poetry, music, film, literature and theory and include three new commissions by emerging artists Lina Lapelyte, Hannah Perry and Heather Phillipson. Serpentine Pavilion 2014 launches during the London Festival of Architecture 2014.
Smiljan Radic has completed the majority of his structures in Chile. His commissions range from public buildings, such as the Civic Neighbourhoods, Concepción, Museo Chileno de Arte Precolombino, Santiago, Restaurant Mestizo, Santiago, and the Vik Winery, Millahue, and domestic buildings, such as Copper House 2, Talca, Pite House, Papudo, and the House for the Poem of the Right Angle, Vilches, to small and seemingly fragile buildings, such as the Extension to Charcoal Burner’s House, Santa Rosa, The Wardrobe and the Mattress, Tokyo, Japan, and The Bus Stop Commission, Kumbranch, Austria.
Considerate of social conditions, environments and materials, Smiljan Radic moves freely across boundaries with his work, avoiding any specific categorisation within one field of architecture. This versatility enables him to respond to the demands of each setting, whether spatial constraints of an urban site or extreme challenges presented by a remote rural setting, mountainous terrain or the rocky coastline of his native Chile.
Smiljan Radic, designer of the fourteenth Serpentine Pavilion, said:
“The Serpentine 2014 Pavilion is part of the history of small romantic constructions seen in parks or large gardens, the so-called follies, which were hugely popular from the end of the 16th Century to the start of the 19th. Externally, the visitor will see a fragile shell suspended on large quarry stones. This shell – white, translucent and made of fibreglass – will house an interior organised around an empty patio, from where the natural setting will appear lower, giving the sensation that the entire volume is floating. At night, thanks to the semi-transparency of the shell, the amber tinted light will attract the attention of passers-by, like lamps attracting moths.”
Julia Peyton-Jones, Director, and Hans Ulrich Obrist, Co-Director, Serpentine Galleries, said:
“We are thrilled that Smiljan Radic has designed the Pavilion this year. We have been intrigued by his work ever since our first encounter with him at the Venice Architecture Biennale 2011. Radic is a key protagonist of an amazing architectural explosion in Chile. While enigmatically archaic, in the tradition of romantic follies, Radic’s designs for the Pavilion also look excitingly futuristic, appearing like an alien space pod that has come to rest on a Neolithic site. We cannot wait to see his Pavilion installed on the Serpentine Gallery’s lawn this summer.”
AECOM will again provide engineering and technical design services, as it did for the first time in 2013. In addition, AECOM will also be acting as cost and project manager for the 2014 Pavilion. While this is the second Serpentine Pavilion for AECOM, its global chief executive for building engineering, David Glover, has worked on the designs for a majority of the Pavilions to date. The Serpentine is delighted that J.P. Morgan Private Bank is the co-headline sponsor of this year’s Pavilion.
Serpentine Gallery Pavilion info from the Serpentine Gallery
Location:Kensington Gardens, London, W2 3XA