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Neues Museum Berlin, Architect, Building, Photo, Restoration, News, Info, Picture

Neues Museum : Architecture Information + Images

Architecture in Berlin, Germany, Europe




15 Oct 2009

The Neues Museum on Berlin's Museum Island to be officially reopened

In the presence of the Federal Chancellor Angela Merkel, the Neues Museum will be officially reopened on the 16 October 2009. From 17 October, the building will be accessible to the public for the first time in 70 years.

Built between 1841 and 1859 by the architect Friedrich August Stüler, extensive bombing during the Second World War left the building in ruins, with entire sections missing completely and others severely damaged. Few attempts at repair were made after the war, and the structure was left exposed to the elements. In 1997, David Chipperfield Architects - with conservation specialist Julian Harrap - won the international competition for the rebuilding of the Neues Museum.

Following the design phase, construction started in 2003. In the months after the official handover on 5 March 2009, the Egyptian Museum and Papyrus Collection, the Museum of Pre- and Early History as well as some objects of the Collection of Antiques were installed. Together with the famous bust of Nerfertiti in the North Dome room, the Neues Museum will display almost 9,000 objects over approximately 8,000m².

The Neues Museum is one of five projects to have received the BDA Preis Berlin 2009.

Building Location : Am Lustgarten 1, Mitte

Neues Museum Berlin Neues Museum Neues Museum exterior
photographs : Ute Zscharnt

27 Apr 2009

Royal Visit at the Neues Museum Berlin

On 30 April, as part of an official visit to Germany, Their Royal Highnesses The Prince of Wales and The Duchess of Cornwall will visit the Neues Museum on Berlin's Museum Island, rebuilt by David Chipperfield Architects.

The Neues Museum was designed by Friedrich August Stüler and built between 1841 and 1859. Extensive bombing during the Second World War left the building in ruins, with entire sections missing completely and others severely damaged. In 1997, David Chipperfield Architects - with restoration specialist Julian Harrap - won the international competition for the rebuilding of the Neues Museum.

After more than ten years of intensive work, the completion of the rebuilt Neues Museum was celebrated in an official ceremony on 5 March 2009. During the public open days from 6 to 8 March, over 35,000 people visited the building. The national and international press coverage was hugely positive and enthusiastic.

In October 2009, after more than 60 years in ruin, the Neues Museum will reopen to the public as the third restored building on Museum Island, exhibiting the collections of the Egyptian Museum and the Museum of Pre- and Early History.

By visiting the Neues Museum, Their Royal Highnesses recognise the good relations between Germany and Great Britain. Their stay in Berlin is part of an official five-day trip, taking Their Royal Highnesses through Italy, the Holy See and Germany. Her Majesty The Queen visited the Neues Museum in 2004 to honour David Chipperfield as a Commander of the Order of the British Empire (CBE).

Neues Museum interior Neues Museum painting
photographs : Ute Zscharnt

David Chipperfield Architects' News Release 4 Mar 2009

Neues Museum Rebuilding on Berlin's Museum Island

On March 5th, after more than ten years of intensive work, the completion of the rebuilt Neues Museum on Berlin's Museum Island will be celebrated in an official ceremony.

Built between 1841 and 1859 by the architect Friedrich August Stüler, extensive bombing during the Second World War left the building in ruins, with entire sections missing completely and others severely damaged. Few attempts at repair were made after the war, and the structure was left exposed to nature. In 1997, David Chipperfield Architects - with Julian Harrap - won the international competition for the rebuilding of the Neues Museum.

Südost Risalit (South East Dome) Re-built with salvaged bricks

image : David Chipperfield Architects

The key aim of the project was to recomplete the original volume, and encompassed the repair and restoration of the parts that remained after the destruction of the Second World War. The original sequence of rooms was restored with new building sections that create continuity with the existing structure. The archaeological restoration followed the guidelines of the Charter of Venice, respecting the historical structure in its different states of preservation. All the gaps in the existing structure were filled in without competing with the existing structure in terms of brightness and surface. The restoration and repair of the existing is driven by the idea that the original structure should be emphasized in its spatial context and original materiality - the new reflects the lost without imitating it.

The new exhibition rooms are built of large format pre-fabricated concrete elements consisting of white cement mixed with Saxonian marble chips. Formed from the same concrete elements, the new main staircase repeats the original without replicating it, and sits within a majestic hall that is preserved only as a brick volume, devoid of its original ornamentation.

Other new volumes - the Northwest wing, with the Egyptian court and the Apollo risalit, the apse in the Greek courtyard, and the South Dome - are built of recycled handmade bricks, complementing the preserved sections. With the reinstatement and completion of the mostly preserved colonnade at the Eastern and Southern side of the Neues Museum, the pre-war urban situation is re-established to the East. A new building, the James Simon Gallery, will be constructed between the Neues Museum and the Spree, echoing the urban situation of the site pre-1938.


image : David Chipperfield Architects

In October 2009, after more than 60 years in ruin, the Neues Museum will reopen to the public as the third restored building on Museum Island, exhibiting the collections of the Egyptian Museum and the Museum of Pre- and Early History. In the interim period, vitrines, pedestals and plinths designed by Michele de Lucchi will be installed.

Quote David Chipperfield: "The handing over of the Neues Museum represents an important moment in the process of bringing the Museum which was destroyed during the Second World War back into the public life of the city. We can finally show the results of eleven years of planning and intense collaboration with the Stiftung Preußischer Kulturbesitz, the Staatlichen Museen zu Berlin, the Bundesamt für Bauwesen und Raumordnung and the Landesdenkmalamt Berlin and we believe this effort is now visible for all to see."


photos © Adrian Welch

Neues Museum, Berlin - Restoration, Repair & Intervention

David Chipperfield Architects at Sir John Soane's Museum, London, 2008

Sir John Soane’s Museum London hosts exhibition on the Neues Museum project

In October 2009, the Neues Museum in Berlin will open to the public for the first time since the Second World War. The main staircase hall was bombed out in 1943, and the South East dome and the North West wing were destroyed at the end of the war. Most of the surviving applied art subsequently suffered further deterioration by being exposed to the elements. In 1997, David Chipperfield Architects, in collaboration with Julian Harrap Architects, was commissioned by the Staatliche Museen zu Berlin to turn the Neues Museum back into an active ‘museum for art treasures of international reputation’. The brief called for the existing building fabric to be treated as ‘an architectural monument of the highest historical, artistic and scientific importance’.

The focal point of the Neues Museum exhibition is not so much the delicate infill of the missing parts of the actual building, but the sophisticated unravelling of two dimensional layers as annotated in a series of ‘working drawings’. Dubbed ‘the coffee-stained drawings’, they have been updated on a daily basis, recording every move on site, inch by inch. They are not the work of a single genius but a palimpsest drawn by many hands. The process and the conceptual approach of the Neues Museum project have been described by many as ‘creative restoration’. It is clear that each decision is the result of an elaborate process involving designers, curators, historians, restorers and specialists. This bespoke preservation on a room-by-room or fragment-by-fragment basis is both daring and sensitive. The drawings testify to a profound renewal of the Neues Museum building creating a precise equilibrium between restoration, repair and intervention.




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Neues Museum Berlin Building - page : adrian welch / isabelle lomholt