Cinema Ideal in Lisbon

Cinema Ideal, Lisbon Building, Portuguese Design, Building, Interior, Images, Architect

Cinema Ideal

Entertainment Venue, Portugal – design by José Neves, Architect

11 Nov 2015

Cinema Ideal in Lisbon

Location: Lisbon, Portugal

Design: José Neves, Architect

Cinema Ideal was the first cinema in Portugal. Located in the heart of Lisbon, between Loreto and Horta Seca streets, it occupies the ground floor of two buildings built in two different epochs – 19th and 20th centuries. Since its inauguration in 1904, the cinema was transformed by multiple interventions, becoming a degraded and architecturally disqualified place, showing exclusively pornographic films during the last three decades.

Cinema Ideal

The project was based on three fundamental principles:
1. To recover the original urban nature of Cinema Ideal, opposed to the character of almost all of today’s cinemas in Lisbon which are located inside shopping malls.
2. To accept and integrate the traces of different interventions over time, giving it a new unity.
3. To give the screening room an architectural identity: a boîte à miracles instead of an indistinct black box.
Therefore, the entrance was reconfigured, opening the cinema space to the city and bringing the limestone of the streets of Lisbon to the inside.

Cinema Ideal

In the foyer, of exiguous dimensions, the walls extend the asymmetric and undulating surfaces of the screening room and a three faced mirror reflects the light and the movement from the street in the interior space. One of the existing pilotis was reconfigured to be covered by film posters and the artificial light, emanating from circular holes opened on the ceiling, establish different areas of light and shadow.

Cinema Ideal

Cinema Ideal

In the screening room, the most valuable existent elements that remained were also integrated in the project: the stalls and balcony, the undulated folded walls and its texture. The shapes of the floors and ceilings of the screening room were reconfigured to ensure perfect viewing and acoustic conditions, while the reticulated and light structure of the chairs gently rests on the floor, helping to clarify the character of the room. The doors between the screening room and the Horta Seca street, allow that, at the end of the sessions, the audience gets out directly to the street – from the darkness of the screening room towards the light of the city.

Cinema Ideal

Cinema Ideal

The plaster of the walls, the wood-fibers and cement, used in the ceilings – all painted in a single nightly color – and the natural cork that dresses the floors are the only materials, along with a few elements made of mirror and stone.

Cinema Ideal

Cinema Ideal

Together with the quality of the film programming carried out by the promoter, the project is a gesture of resistance to crisis that Portugal is going through, not only social and economic, but also cultural. In this sense, the richness of Cinema Ideal does not depend on the wealth and ostentation that is historically associated with the architecture of movie theatres. Instead, this is achieved by using a minimum range of cheap materials, the organization, shape, and lighting of spaces, as well by the viewing and acoustic conditions of the screening room. In every step, we are reminded of the words – more opportune than ever – of both Vitor Figueiredo, the architect, and Jean-Marie Straub, the filmmaker:
“Take everything from us, but luxury!”

José Neves, arquitecto

Cinema Ideal in Lisbon – Building Information

Location: Lisbon
Project year: 2013-2014
Construction year: 2014

Architect: José Neves
Colaborators: Rui Sousa Pinto, Vasco Melo, André Matos, Fernando Freire; João Pernão, Maria Capelo (consultores de cor).
Engineering: Betar, Natural Works

Client: MIDAS II, Cinemas
Constructor: Contentor de Ideias

Cinema Ideal

Photographs: Laura Castro Caldas & Paulo Cintra; Fernando Freire

Cinema Ideal in Lisbon images / information from José Neves, Architect


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Cinema Ideal in Lisbon Building – page

Website: José Neves, Architect