Venice Biennale Review
e-architect editor visited the Venice Biennale 2010 : we bring you photos + observations on the pavilions + exhibitions
The highlights of the show were Oliafur Eliasson's installation and hearing SANAA (with Oliafur Eliasson) describe their designs and their approach to designing.
The Venice Biennale is a positive gathering place for architectural discussion, a hive of activity with plenty of visual stimulus but many of the shows seemed skin-deep in their approach. We are told "architecture is in crisis" by one, and show after show put forward ideas for new communities, yet until clients are persuaded to create such new communities this comes across as conjecture, blue sky thinking. We need this, but it needs balancing with more reality. Most of the architects have the creativity and good intentions and it is unfair to criticise them as they try to make a better world. But we need specific examples because the act of making communities transforms even the most stubborn architect's plans. Thus much of what we see in the shows just won't ever happen, so why present to the viewers?
Kazuyo Sejima, the Director of 12th International Architecture Exhibition

photo © Adrian Welch
In the la biennale di venezia guide former director Aaron Betsky asks the reader to focus on the audience, not the work on show but who comes to see the Venice Biennale, the public. I could not agree more, this is something I have focused on over the last decade - architects have to engage with the public in a more lucid way. If you look at Eliasson (art) or Tarantino (film) you are aware of great skill, thinking, layers of meaning, yet their creations are easily digestible to a wide range of people. And their work is also well known, more so films and music than art but architecture is a long way behind. Can architecture flex its muscles and engage more with the people? Of course it can, and should because architecture has a huge part to play in reducing pollution, waste, material usage, energy usage, water usage, etc. in fact architects could hold the key to sorting out large proportions of key global problems. But there needs to be more focus, less waffle, more collective action, less individual postulation.
The Croatian pavilion - the boat - was created by a group of architects (who normally compete against each other for work) coming together and working as one. They made something potent and beautiful, perhaps this could serve as a lesson - maybe it is 'time for change' as so many shows state, perhaps the Arsenale and Giardini form shackles through the individual pavilions? With lateral thinking though la biennale di venezia could create a more potent message if countries still used their pavilions but that each country worked with the other to integrate the proposition, along the lines of think global act local. It doesn't have to be totalitarian, there could be opposing views but expressed within a framework. With such an armature or backbone the proposition would be powerful and dignified by allowing many viewpoints with a structured whole. In this way a manifesto could be delivered that could be understood by major private developers, city councils and national governments. Architecture has the ability to change the world radically. Architects have yet to find a way to achieve this potential.
Photos of the majority of the pavilions now online, 31 Aug
Venice Architecture Biennale Arsenale Pavilions

image © Adrian Welch
Venice Architecture Biennale Arsenale Pavilions
Venice Architecture Biennale Giardini Pavilions

image © Adrian Welch
Venice Architecture Biennale Giardini Pavilions
Kazuyo Sejima, Venice Biennale director


Kazuyo Sejima, Venice Biennale director with mayor of Kanazawa, Japan

Films of Oliafur Eliasson show in the Arsenale, still to be compressed, large size online for now - please note long download times:
Oliafur Eliasson installation 1 15 MB
Oliafur Eliasson installation 2 18 MB
e-architect editor Adrian Welch was in Venice from Friday to Monday

Bjarke Ingels at Venice Biennale, interview with Adrian Welch online shortly

photo © Adrian Welch
Bahrain Pavilion, Venice - Golden Lion winner for Best National Pavilion

photo © Adrian Welch
If Buildings Could Talk, Venice
Film by Wim Wenders

photo © Hisao Suzuki, sketch by © Wim Wenders
British Rebiennale evening show, Venice

image © Adrian Welch
Many of the Venice Biennale shows around town were disappointing, one moment of joy was here off Campo S. Stefano, an advert for a Luxembourg show - person in box!

image © Adrian Welch
12th International Architecture Exhibition
Venue: Giardini and Arsenale
Dates: 29 Aug - 21 Nov 2010
la biennale di venezia director
Kazuyo Sejima, the Director of 12th International Architecture Exhibition, People meet in architecture (29 Aug - 21 Nov 2010, preview on 26-28 Aug). Kazuyo Sejima is the first woman to direct the Architecture Sector of the Biennale.
SANAA : Kazuyo Sejima (right) and Ryue Nishizawa (left)

picture © 2008 Kazuyo Sejima + Ryue Nishizawa / SANAA
Photograph © Takashi Okamoto
la biennale di venezia spaces
Two new spaces at the Biennale di Venezia, the Sala delle Colonne (Ca' Giustinian) and the ASAC Library (Palazzo della Biennale, Giardini), will be inaugurated respectively on Wednesday 25th August (was at 11:00 a.m.) and Friday 27th August (12:00 noon) and will therefore be returned to the city after a demanding restoration and renovation process.
la biennale di venezia prizes
The International Jury of the 12th International Architecture Exhibition will attribute the following prizes:
- Golden Lion for best National Participation
- Golden Lion for best project in the International Exhibition People meet in Architecture
- Silver Lion for a promising young architect in the International Exhibition People meet in Architecture.
la biennale di venezia - external link
Venice Architecture Biennale 2010
Venice Architecture Biennale 2010 Croatian Pavilion
The Ship : Floating Pavilion

picture : Zelimir Grzancic
Venice Biennale Croatian Pavilion
Venice Architecture Biennale 2010 Dutch Pavilion
'Vacant NL'

photo © Adrian Welch
Venice Biennale Dutch Pavilion
Venice Architecture Biennale 2010 British Pavilion

picture from the organisers
Venice Biennale British Pavilion
Venice Architecture Biennale 2010 Danish Pavilion
'Q&A: Urban Questions _ Copenhagen Answers'

picture : Ty Stange
Venice Architecture Biennale Danish Pavilion
Venice Architecture Biennale 2010 Irish Pavilion
'of de Blacam and Meagher’

photo / courtesy : Alice Casey/Cian Deegan
Venice Architecture Biennale Irish Pavilion
Venice Architecture Biennale 2010 Austrian Pavilion - Exhibit
PATTERNS / 3form

image from the architects
Venice Architecture Biennale 2010
Venice Architecture Biennale OMA Installation
OMA

image courtesy OMA
Venice Biennale OMA Installation
Venice Architecture Biennale Strelka Event
Strelka - OMA

image © Sergey Leontiev for Strelka Institute
Venice Biennale Strelka Event
Beyond Entropy - AA architecture event at Fondazione Giorgio Cini, Isola di san Giorgio Maggiore, Venice, Italy 27 Aug
Venice Buildings

image from the architect
Venice Buildings
Venice Biennale Architecture - Previous Years
2008 Venice Biennale director: Aaron Betsky, director of the Cincinnati Art Museum
11th International Architecture Exhibition: ‘Out There. Architecture Beyond Building’
Venice Biennale exhibition 2007 : Dune Formations installation, Scuola dei Mercanti

Venice Biennale 2008 - Scottish Pavilion

Scotland's own exhibition, titled the 'Gathering Space' : Venice Biennale
Nordic Pavilion, Biennale di Venezia, Italy
1958-62
Sverre Fehn

photos © David Lawson

photos : Neale Smith Photography
Venice Biennale shelter architect
Venice Biennale 2004
Excerpts from an Architecture Review of Venice Architecture Biennale by architect Rebecca Wober
“Metamorphoses”

Nordic Pavilion: Venice Biennale
Mostre (to show, exhibit)
For a century or so, a biannual exhibition has been held in Venice, where visitors can stroll around the gardens to the east of the island, viewing an outpouring of international contemporary art. Recently, the same venues have been host to exhibitions of Architecture, making use of the same national pavilions that are animated every other year by the contemporary art world. This year sees the 9th Venice Architecture Biennale, where a wealth of work from around the world has been collated by Kurt Forster, the “dirretore” for 2004. Forster is an art historian and architect from Zurich, and professor at Universities in America and Europe. The title “Metamorphoses” for this year’s Venice Architecture Biennale show provides a protective cloak for the changing face of architecture today.
Padiglioni (pavilion)
The architecture exhibition presents an overwhelming spread of work across miles of exhibition space. To comprehend the scope of the work on show, the visitor is guided to the Giardini and the Arsenale, two distinct realms. Whereas the Venice Biennale architecture pavilions showcase work by nation, the Arsenale arranges work by theme. The Venice Architecture Biennale pavilions appear to have been constructed starting from late 19th century in a time when nationalism was just invented and everybody was hammering on about the distinction of national traits. Today it seems increasingly irrelevant to divide up work and represent achievement according to these boundaries. Therefore, the arrangement of these spaces by nation seems to be increasingly outdated. For example, the British pavilion showcases work by 8 architects from diverse countries, two of whom are Scottish, one Czech, and one hailing from Israel.
In contrast to the Venice Biennale pavilions, the curating of the Arsenale goes some way to break the barriers of nation by grouping work by theme. However in spite of the subtitling there does not appear to be a perceivable thread. For example, Barcelona’s EMBT office is represented by about 5 current projects. These include a library, the canopy to a Barcelonan market, and a commercial centre for Leeds and they can be encountered dotted around different areas of the long processional space.
Giardini (gardens)
The theatricality of Venice cannot be denied; the exquisite stone city floating on a lagoon is a phenomenon. Venice can either feel like the set of an 80s pop movie (stimulated by the sight of red cushioned gondolas floating past), or like your own back yard when for example you notice a temporary playground animating a public square or a granny going home with the shopping in tow. Similarly, there is a great contrast between Biennale exhibitions which present work as if prepared for the pages of a magazine and those which cause an event.
France, Britain, Spain all followed the “showcase your semi-famous architectural stars” format, neatly divided and generally smartly presented. However, only Biennale pavilions such as Belgium and Poland took the step out of the didactic stance to present a sculpted experience where the architectural produce can be viewed in relation to the given space.

Richard Murphy: Filmhouse - Scottish Architecture
CJ Lim
So cutting edge it will slit your throat. Wonder how many students had been harnessed to their desks to cut out ever diminutive paper bicycle seats and general exquisite origami
Caruso St John
Sober, no impact
Peter Cook
Do the students take the lead from him or is he running to catch up? Exciting cross references from number templates to key
Venice Biennale 2004 © Rebecca Wober, architect
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