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Rotterdam Court Information Centre, Building, Project, Photo, Design,
Image
Rotterdam Court Information Centre
Development by Atelier Kempe Thill in Rotterdam, The Netherlands
A Big Piece of Furniture
Information center of the Rotterdam Court, The Netherlands
Atelier Kempe Thill
A new face for the Rotterdam Court
The Rotterdam Court is forerunner in the Netherlands concerning the
introduction of "Mediation" as an alternative form of settling
conflicts. To give this role a visible form it had been decided to
erect an own building for this purpose. Next to mediation the function
of the information center had to find a place here as well. The building
becomes by that also the official mouthpiece of the court - a center
for all people who want to get informed about juridical questions.
The urban situation where the new building has to be fit in is the
"Galeria", an in-between space within the Rotterdam Court
complex covered by a glass roof. The situation with a width of only
17 m is spatially quite narrow for a building and the obligations
to keep a generous public route to the entrance of the subway and
to avoid any backside.
For that reasons the expectations on the appearance of the new building
are rather high. A transparent, inviting reception building is needed
that communicates with its architecture the new ideas and at the same
time a seriousness that fits to the court as an institution.

A house as furniture
To fulfill the demands of the city and of the court an entirely transparent
building with low interior elements was taken as a start. The depth
of the building was limited up to six meters to not disturb the Galeria
in the long direction.
First of all the architectural question arises how a building must
look like that should unfold such a wished great effect on the public
but in its sheer size is rather small. To find an adequate solution
on this the new information center was interpreted conceptually less
as a small building but rather as a big furniture - not least because
of its object - like position in the dominant interior of the Galeria.
This results firstly in the set - up of the few architectural elements
in an as large as possible scale. By that the building reaches unless
its small size an adequate degree of monumentality. Secondly was striven
for an unusual precision for detailing and materialization. The smaller
the building the more the architect is forced to reach the exactness
of a watchmaker. Thirdly a maximum of integration of installations
into construction was intended. Due to the entire transparency there
are nearly nowhere informal zones where installations or constructions
are "out of sight". Nearly everything had to be worked out
as visible elements perfectly given form up to the last detail.
A public interior
Due to the conceptual approach the interior becomes integrated part
of the façade and by that of the appearance of the entire building.
Interior and exterior become an entity and have to be designed as
a "Gesamtkunstwerk". To reach a highly coherent appearance
the interior was set up basically in the same color. Because the Galeria
is fairly dark due to the surrounding façades it was decided
to balance this by giving the building a light color. Therefore the
color white was used consequently for nearly all parts. To emphasize
the bright interior the desk was produced out of massive polyester
plates that are illuminated from the back. The roof is made out of
translucent polycarbonate and shines because of the sunlight and the
lamps that are put behind. To even emphasize the transparency even
more bleached glass was used instead of normal float glass to avoid
its typical green color. The lantern - like shining of the building
also strengthens the wished communicative effect and has by that a
positive impact on its use.
To visually close the meeting rooms as well as to protect them from
too much sunlight and to improve the acoustic conditions all windows
are provided with curtains. To balance the hermetic of the building
they give it something soft and comprehensible.

Large scale elements and reduction of means
The detailing is based on two core strategies, on one hand the use
of large scale elements on the other hand the maximum reduction of
the used means. The intension is to reach a monumental scale.
To reduce the means it has been tried to reach as much integration
between architectural and technical elements as possible. The construction
is at the same time window frame and installation canal. The roof
functions as acoustic barrier; lamp and cable duct and contains sprinkler
installations and sun protection. In the polyester desk - next to
TL - lamps, LED displays for the client information system are integrated.
As large - scale elements to define the structure of the building
the largest glass panes were used in the size of 6m long and 3,21
m high. To make this possible from the beginning on it had to be clarified
if and with which techniques these panes could be brought into the
Galeria through its narrow entrance doors. Also the capability of
the floor to support the transportation of the 1250 kg elements had
to be researched.
The electrical large - scale sliding doors of 2,80 x 3 m are developed
for the project. The frames and the fixing details for the glass,
as well as the motor, the gear, the cables and the rail system were
designed and sampled together especially for that situation. To avoid
disturbing drafts an especially designed air curtain was integrated
in the floor.
The desk from polyester is set up as long as possible. Within its
17 m length, two necessary doors were integrated invisibly at both
ends, also made form polyester.
The new information center presents itself as an auratic but still
self - evident object. Within the Galeria it keeps distance and autonomy
without to be in competition with the manifold context. Through its
appearance it makes an inviting gesture to the other more distanced
buildings of the Rotterdam court.
Rotterdam Buildings
Information Center of the Rotterdam Court - Building Information
Site: Rotterdam - Kop van Zuid
Address: Rechtbank Rotterdam, Wilhelminaplein 100, 3072 AK Rotterdam
Architects: Atelier Kempe Thill architects and planners, Rotterdam,
Netherlands
Client: VROM Rijksgebouwendienst (Building service Dutch Government)
Branch / Vestiging Den Haag
Postbus 20951
2500 EZ Den Haag
Visiting address:
Rijnstraat 8
2515 XP Den Haag
Process:
Commission: Jul 2005
Planning process: Aug 2005 - Jun 2007
Building process: Jul 2007 - May 2008
Building:
Building size: 215m2 brutto, 208m2 netto
Building volume: 700m3
Total building budget: € 1,30 mio. (excl. VAT) - incl. technical
installations
Building budget in groups:
Building: € 0,82 mio. (excl. VAT)
Installations: € 0,48 mio. (excl. VAT)
Budget per m2 excl. installation: € 3.813 /m2 (excl. VAT)
Budget per m2 incl. installation: € 6.032 /m2 (excl. VAT)
Team:
Team planning and realisation:
Architect: Atelier Kempe Thill architect and planners, Rotterdam (NL)
Team Atelier Kempe Thill: André Kempe, Oliver Thill, Teun van
der Meulen
with
David van Eck, Takashi Nakamura, Peter Graf, Andris Rubenis, Kingman
Brewster
Artist Plastic counter: Vincent de Rijk, Rotterdam
Consultants:
Building Physics: DGMR Arnhem + Rijksgebouwendient, Advies & Architecten
Structural Engineer: Rijksgebouwendient, Advies & Architecten
Service Engineer Electrical & Climate Installations: Rijksgebouwendient,
Advies & Architecten
Quantity Surveyor: Rijksgebouwendient, Advies & Architecten
Tender documents: Adviesbureau Both, Haarlem
Supervision building site: Centraal Bureau Bouwtoezicht (CBB), Arnhem
General Contractor: Bouwbureau en Aannemingsbedrijf De Wilde bv, Waddinxveen
Photographer/Copyright holder: Architektur-Fotografie Ulrich Schwarz
Ulrich Schwarz, Kreuzbergstrasse 27-28, D-10965 Berlin Tel. +49-(0)30-4278708
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Rotterdam Court Information Centre Building
: page - adrian welch / isabelle lomholt |
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