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Warsaw Cinema, Robert Majkut Design, Polish Building, Architect, Images
Warszawa Architektura + Architekci
Multikino Zote Tarasy : Key Warsaw Building, Poland, Europe
Warsaw, Poland
Robert Majkut Design
THE GOLDEN AGE OF THE CINEMA
The most spectacular cinema in Poland - Multikino Zote Tarasy
is opening in Warsaw.

35 mm Club
The cinema is owned by the Multikino company (ITI Group) one
of the major Polish multiplex operators. Multikino, located in the
Zote Tarasy commercial centre, is a premiere cinema with an auditorium
seating 777 and the largest screen in Poland. It is a unique place,
both in terms of the design and technical solutions. All halls are
equipped with state-of-the-art projection equipment and the Martin
Audio sound system, made by one of the worlds leading
sound system manufacturers.
The premiere hall is equipped with Christie, a world-class
digital projector which ensures perfect image quality.
Multikino has invited Robert Majkut, one of the leading Polish designers
to co-operate on the interior design.
The concept that motivated the designer while looking for inspirations
for his design was to create a unique and extraordinary place, one
that would bring high-quality life and entertainment to the city centre.
The place is expected to redevelop the magic of the cinema, and to
become an appropriate and admirable setting for contemporary film
art.

Main Foyer
The uniqueness of the design is also demonstrated by the fact that
it is a total design. It encompasses both a detailed interior design
and an entire visual identification design for the complex, including
the design of a special logo for Multikino Zote Tarasy, cinema guides,
popcorn boxes and other graphical elements.
The bold and innovative interior design undeniably distinguishes the
complex from existing multiplexes. The facility was designed as a
combination of two styles: modern forms and shapes with a decorative
and slightly archaising ornamentation. It alludes to the patterned
Renaissance and Baroque fabrics, old-school wallpapers, tattoo aesthetics
and tendencies seen in modern, avant-garde publishing design.
The multi-storey interior adds functionality to the development, which
will meet the needs of various groups of cinema-goers. A unique premiere
hall, seven other auditoria, a VIP zone and a music club all
of them open new opportunities for organising film, music, sports
and business events. Visitors are offered a multitude of films, a
comfortable and friendly interior, cosy atmosphere, and yet spaciousness,
which provides the entire facility with panache and determines its
matchless atmosphere.
Having passed the dreamlike entrance the box office lobby is
the place of first impression. It is spectacular, yet friendly and
appealing, extending an invitation to visit, and at the same time
being the essence of Multikino Zote Tarasy. The place, designed as
a combination of styles, is a passport to the world of film issued
by Robert Majkut Design. The extraordinary design of the box office,
surrounded by static and moving images with variable geometries and
on a cathedral-like scale, reflects the flamboyance and uniqueness
of the place. Rounded and modern shapes have been used, which makes
forms look like separate bodies, yet inextricably attached to the
entire interior. Everything follows a dark, theatrical colour scheme.
A large number of box offices, an interactive information system,
and smooth traffic control at the box offices, are expected to ensure
an even greater convenience for cinema-goers.

Premiere Hall
Having passed a floating tunnel, the visitor enters the
main hall. Entrances to auditoria are located here, including the
Premiere Hall. There are two bars, sofas and tables with seats. The
spaciousness of the place is highlighted by a stunning Warsaw panorama
seen through an enormous, three-storey window. The purple, black and
red colour scheme used in this space, which is characteristic of the
entire development, combined with individually designed LED lighting
elements, create an unusual impression. Alternating matt and shiny
surfaces, the size and the flamboyance of the space, make it a perfect
place for film premieres and events, as aside from seven auditoria,
the visitors also have the Premiere Hall, VIP zone and a top-floor
club at their disposal.
The Premiere Hall has an air of splendid theatre and opera auditoria.
It features numerous decorative elements, ornaments, and wall lighting
details. For convenience, special comfortable seats have been placed
in the hall, upholstered with cosy fabrics, and in the VIP-zone they
are covered with genuine purple leather. The entire hall, although
very modern, alludes by its colour scheme to the tradition of grand
theatre and opera auditoria, which is exemplified by an impressive
six-metre chandelier made using a state-of-the-art LED technology.
Both in the upper part of the Premiere Hall and in the first storey
connected to the Premiere Hall, there is a VIP-zone called the Velvet
Bar. It includes a distinctive long bar and a separate stage
to be used both for music performances and as a separate bay
with mobile seats. For a total convenience, the VIP zone has its own
cloakroom and toilets, which are also arranged in a luxury and unconventional
style. The monochromatic black and purple interior, walls covered
in a quilted plush fabric, mirrors, black stone, and spectacular lighting
determine the extraordinary, luxury and stylish climate of the place,
which is designed in a special way and takes the reception of film
art to the highest global standards. This place aspires to be a meeting
venue not just for sophisticated film lovers, but also for the creators
and participants of film art.

Velvet Bar
The top level, with a bar and 4 auditoria, is the so-called 35
mm music club, with a separate DJ booth, a bar and a restaurant
zone. It is a place to rest, relax or organise invitation-only events.
Its design is different than that of the whole complex. It is strongly
illuminated by a giant window and a huge oval skylight in the ceiling.
It surrenders to sunlight with its light-coloured, almost white decor,
white furniture, sofas and armchairs. This place is special in its
dissimilarity to the remaining part of the design, being in opposition
to it - a fresh breath. Owing to its functional identity and rearrangement
possibilities, it is a perfect place to hold private events, meetings,
or in combination with the auditoria reviews, private
showings, or film marathons.
In addition, Multikino Zote Tarasy has its own new logo. This mark
has been created alluding to the symbols of the cinema light,
illumination, movement, illusion, and to the well-known film symbols,
such as Batman or Superman. It is modern but still related to the
aesthetics of the existing Multikino logo. The new logo may coexist
with the old logo, enhance it and enrich it. It also refers to the
aesthetics of the whole complex. Its form is closed and compact. It
is dynamic and expressive, and its colour scheme refers to the convention
of the facility and to the identification of the cinema.
Although developed three years ago, the design of Multikino Zote Tarasy
implemented today sets new standards in the Polish market of entertainment
services.
It constitutes a non-traditional approach to the issue of the role
of design in the shaping of mass culture facilities. In the shaping
of amazing, inspiring, yet addictive places. And perhaps this is what
the magic of cinema is all about the golden
cinema in particular.
Robert Majkut about the design:
It was a challenge to create a complex which would be the sign
of our times. Warsaw is still developing. Polish people are becoming
richer and richer, they want to have better, more noble lives and
to enjoy them to the full. To have a variety of choices, also in entertainment,
culture and arts. Therefore we need unique, ambitious and extraordinary
places, which reflect the character of the city, which create its
identity and ensure world-class entertainment, pleasant and user-friendly,
meeting the inspirations of participating in the world.
The design is an attempt to create such a space, and to look for suitable
aesthetics for such a facility. By upgrading the standard, alluding
to the celebrations of the film world, by placing innovativeness,
uniqueness and nobility in the focus, I tried to re-introduce nobility
to what had been impoverished combine the convenience of a
multiplex with the atmosphere and dignity that we know from cosy cinemas
or grand theatres and concert halls. No one builds such cinemas now,
but I truly believe that it makes a lot of sense, as we again want
to live in a better reality, richer in formal terms, and of very good
quality.
My inspiration is interactive architecture, the interpenetration of
the outer and inner worlds, the interaction between the environment
and the user, changes driven by light, colour vibrations and balancing
on the edge of the unknown. All of that is incorporated in this extraordinary
design. I would like the magic of the cinema to revive.
Multikino Zote Tarasy Warsaw images / text from Robert Majkut Design
2008
Polish Architect : Robert Majkut
Design - contact details
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Polish
Architecture
British Embassy Warsaw

Image © Hayes Davidson
Poland Architecture Competition
Lilium Tower
Park Swiatla Warsaw

Polish Building : Expo 2012 Wroclaw
Warsaw Airport building
Polish house : kwk promes architects
Warsaw Office building

Polish Architecture Competition
: Gdansk

World Architecture : e-architect
- key buildings across the globe
Comments / photos
for the Warsaw Cinema Architecture Poland page welcome:
info@e-architect.co.uk
Multikino Zote Tarasy Warsaw - page: adrian
welch / isabelle lomholt |
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