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University College Østfold, Norway Building, Project, Photo, News, Design, Image
University College Østfold Norway : Information
Education Development by Reiulf Ramstad Architects, Norway
UNIVERSITY COLLEGE ØSTFOLD HALDEN (HiØ)
Architects: Reiulf Ramstad Architects ( RRA), Oslo Norway
Location: Halden, Norway
Program: University College
Size building : 28 000 m2
Size site: approximately 200.000 m2
Commission type: Invited Competition 1st prize
Construction year: 2004-06
Client: Norwegian Public Construction and Property Management
Photographs: Reiulf Ramstad Architects and Kim Müller, Norway

Nominated for the prestigious Mies van der Rohe Prize when completed
2006
Concept
The HiØ is compact building shaped like a treasury cabinet
of knowledge and science covered in wood, glass and concrete. The
concept is based on four principles:
1. landmark significance
2. symbolic power
3. energy efficiency
4. flexibility/elasticity
1. Landmark significance
HiØ is located in the outskirts of the city of Halden in the
transition zone between urban and rural landscape. To emphasize the
importance of the relation between landscape and building the HiØ
is visible from the city and its surroundings and the cultural and
historical landscape should be visible from the campus. The elevation
of the building constitutes an essential part of the project, where
symbol and function merge into one. A landmark that relates to and
incorporate the natural and cultural environment offered at the estate,
such as the cultivated park, an old forest and the nearby farms.
2. Symbolic power
Globalization and technologic development change the essence of knowledge
and science. The HiØ incorporates both the ideas of an architectural
projection of the modern Norwegian state and the symbolic significance
of an European cultural heritage. It must be regarded as a power station
for developing future academic generations of the region. HiØ
has a strong modern identity with a spatial solution that differs
from a conventional university building, and in that way making a
monument of a new era where sustainability, energy efficiency and
environment concerns are the main values.
3. Energy efficiency
The building represents an energy efficient construction with sustainable
use of space and materials. This compact building mass contributes
to:
Moderate building costs - minimized technical installations
Reasonable low operating costs
Efficient distribution for ventilation, electro technical installations,
heating system and communication
Moderate heating and cooling demands that requires totally a low energy
demand
4. Flexibility/elasticity
The program is molded into a simple architectural structure. The building
has a simple dense carpet like form and rational constructive solutions
to obtain elasticity that permits many ways of organizing circulation,
zones and activities.

The building
The key notion of the architectural strategy is the location's natural
features and the use of a limited material palette. The project is
situated in an old rural landscape and special attention is paid to
integrate it into its surroundings. The design is based on simple
geometrical prisms, lines and slabs composed into a complex lay-out
of rooms and functions. Critical functions and lines of communication
are emphasized and the building expresses a balance of functional
efficiency and open perspectives.
Completed in 2006 the HiØ is a building of national and regional
importance. Situated between Oslo and Sweden this University building
is a melting pot for many cultures and people.
This mixture is also reflected in the complex intertwine of new and
old buildings. The challenge was to refurbish the existing complex,
originally completed in the 70s, modernizing it to suit the College's
current, and future, needs whilst adding to it new functions and spaces
that would complement the existing.
From early in the competition stages RRA approached this project creating
a landscape and cityscape strategy. The project was developed as more
than a response to the program, new functions and spaces where ingeniously
designed into the buildings, expanding the dimension of the project
beyond that of mere architecture.
More than 900 rooms are organized around common spaces, small "forums"
or "agoras", reminders of what a University Life is all
about. Informal meeting spaces, debating arenas, and areas of personal
exploration punctuate all the buildings.
Hovering over all the other buildings, tracing the east-west natural
ridge between two forests, is a long wood-clad volume which houses
the new study rooms and office spaces. This structure, which could
almost be seen as an independent building is in reality the articulating
element, the spine, of the whole complex. New and old meet here, intimate
spaces for reflection appear and monumental rooms are presented, common
boundaries are challenged and the relationship between in and out
gets blurred.
Where this block intersects the new Library, it opens up in a series
of dynamic spaces. Boxes hang from the ceiling defying the laws of
physics, light pours in from sky lights and from the continuous glazed
façade inviting one out onto the Library's roof terrace.

The Roof of the Library is the main exterior meeting space, a main
square, a plaza, for the Campus, an extension of the College's functions
to the landscape, a clear reference to the preoccupations that RRA
has in dealing with the existing context, buildings (city) and landscape.
The careful choice of materials enhances the experience of this building.
Concrete and glass are counterbalanced with colour and softer/warmer
materials, such as wood and brick. They blend new and old together
creating a unique feeling of accord and defiance, an ideal environment
for learning and personal development.
The double and triple height spaces created through the main buildings
are changed, their volumes sculpted, shaped by the changing light
conditions during the dramatically diverse Norwegian seasons. In the
Summer this a building to be lived outside, the various courts filled
with students and open to the landscape, in the Winter the generous
use of glass allows for the landscape to be enjoyed from the inside.
The large Foyer space replaces the roof terrace and the building is
filled with discussions and debate.
The glazed façade and multiple openings are not however a detriment
to the buildings energy efficiency. In fact they reduce the need for
artificial light by bringing light deep into the complex. Further
more by the use of mass and a structured planning strategy the building
is able to keep its internal temperature fairly constant all year
long with limited heating/cooling costs for a building of its size.
Most of the fittings and furniture was designed by RRA and this has
added to the general harmony of the complex.
Østfoldmuseet : RRA

Østfoldmuseet pictures : RRA (Main illustration
RRA/MIR Illustrated)
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