| New Tamayo Museum, Mexico Building, Project, News, Design, Property Mexican Competition win by BIG with Michel Rojkind Arquitectos e-architect |
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| Museo Tamayo Mexico : Architecture Information + Images | |||
New Tamayo Museum - Competition, nr Mexico City, Mexico BIG with Michel Rojkind Arquitectos
![]() Announcement of win 2009 New Tamayo Museum overlooking Mexico City BIG and Michel Rojkind win cultural competition in Mexico Set upon a steep hillside in Atizapan on the outskirts of Mexico's largest metropolis will soon sit the New Tamayo Museum which will serve as a nucleus of education and culture, locally, regionally, and internationally. Named after the Oaxacan born artist Rufino Tamayo (1899-1991) The very strong and symbolic shape of the cross is a direct interpretation of the client's preliminary program studies that defined the museums optimal functionality. The main concept of MUSEO TAMAYO EX-TENSION ATIZAPAN is an "OPENED BOX" that unfolds, opens and invites the visitors inside. Package, restoration and storage will serve as additional cultural spaces for visitors to understand the stages that an art piece goes through in order to get to its specific destination. This is a very direct, strong and symbolic project. Where the shape derives from the client's preliminary studies that defined the optimal functionality and was then enhanced by taking advantage of the best views from above, making the best of the steep terrain and shading the more social program below, exterior and interior spaces overlap to provide the best environment possible for each function, and optimal climatic performance. Michel Rojkind, Rojkind Arquitectos Understanding that contemporary art spaces pretend to be more important than the art they contain, our proposal arises from the scheme of requirements previously studied by our clients, assuring maximum functionality in each area while focusing on the development of art projects. By enhancing the program and understanding the topography, a balance between form, function and visual impact for this important space was created. Once the functional part was improved, we could give attention to details that make the space not only a culture enclosure, but also a building that understands its surroundings to distinguish itself and transform from a simple form to a powerful symbol, controversial, but ideal to lodge this new space.
![]() MUSEO TAMAYO EX-TENSION ATIZAPAN makes the best of the steep terrain allowing the galleries to shade the more social programs below, exterior and interior spaces overlap to provide the best environment possible for each function, and optimal climatic performance. The permeable brick shading façade eliminates or reduces the need for AC and combines good daylight with no sunshine and plenty of natural ventilation. Although, it will be the museums symbolic provocation of its form and content that will attract its visitors, once there, they will discover that its design, though modest, is intelligently and sustainably planned. Bjarke Ingels, BIG Partner-in-Charge When you ask contemporary artists what kind of space they would prefer to exhibit their work in - they almost always describe old industrial warehouses or loft spaces. It is the kind of space where they have their studios, but most importantly the rough structures, with large spans and generous ceiling heights provides them with the maximum freedom of expression. On the other hand the museum director or the mayor might want an icon that to attract visitors. So museum design is often caught in a dilemma between the artists demand for functional simplicity and the museum's (and architect's) desire to create a landmark. The cantilevering cross is the literal materialization of the cruciform functional diagram - devoid of any artistic interpretation. MUSEO TAMAYO EX-TENSION ATIZAPAN becomes the embodiment of pure function and pure symbol at the same time.
![]() Based on the concept of an opened box which unfolds into a cross shape, the will occupy a hillside overlooking the city. New Tamayo Museum Mexico images / information from BIG Architects: BIG + Michel Rojkind Arquitectos ![]() New Tamayo Museum - Design Team: BIG: Partners-in-Charge: Bjarke Ingels & Andreas Klok Pedersen Team: Pauline Lavie, Maxime Enrico, Pål Arnulf Trodahl Rojkind Arquitectos: Partner-in-Charge: Michel Rojkind Team: Agustín Pereyra, Monica Orozco, Ma. Fernanda Gómez, Tere Levy, Isaac Smeke, Juan José Barrios, Roberto Gil Will, Joe Tarr Structural Engineer: Romo y Asociados Landscape Design: ENTORNO taller de paisaje Graphic Design: Ernesto Moncada Visualization: Glessner Group - Germán Glessner Key Mexican Buildings: Suntro House, Oaxtepec Jorge Hernández de la Garza ![]() Mexican House Arango Residence, Acapulco John Lautner ![]() Photo : Sara Sackner Acapulco house Mourning House, Mexico City Pascal Arquitectos ![]() Mexican house Museo del Acero Museum of Steel, Monterrey Grimshaw Architects ![]() Museo del Acero Monterrey World Architecture : e-architect - a guide to key buildings across the globe Comments / photos for the New Tamayo Museum Mexico Architecture page welcome: info@e-architect.co.uk Museo Tamayo Building : page - adrian welch / isabelle lomholt |
Buildings by Rojkind Arquitectos: Nestlé Application Group Ordos 100 Villa Buildings by BIG Architects: Kaufhauskanal housing Lego Houses VM Mountain Dwellings Key Links: Skyscrapers Architecture Studios New Houses Mexican Architects Mexican Architecture |
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