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House N, Croatian Architecture, Photo, Design, Home, Project, Picture
House N : Architecture Information + Images
Residential Project by 3LHD Architects, Croatia, Europe
House N, Croatia
2009
3LHD architects, Zagreb
Photos : Damir Fabijanic

HOUSE N
Pantovcak, one of Zagrebs most prestigious streets, which rests
below the gaze of Sljeme, has been lined with freestanding family
houses for decades. With its sculpted gardens and comfortable spaces
between buildings, it exudes all of the admirable qualities of a pleasantly
livable urban residential drive.
House N is situated in a quieter secondary neighborhood on this street,
perched in the western hills and boasting a delightful panoramic view
of the forest and the city.
Access to the landscape from the southern side, including a relatively
narrow steeply sloping and elongated plot, was the key element that
defined the position and layout of the house. Originally there was
a substandard house on the plot. It did not satisfy the needs of the
client and thus had to be replaced.
The new family house for three people had to accommodate modern residential
conveniences, such as a wellness and a fitness hall.
The house is situated at the highest and front most point of the plot,
in order to take the best advantage of the inspiring view of the city
below. Close proximity to neighboring buildings on the eastern and
southern borders of the lot influenced the houses relatively
compact design with a reduced number of openings in these two façades.
The limited width of the lot was compensated for by extending the
building in the lengthwise bearing - down a slope that was utilized
in such a manner as to add a third story. Directions of movement in
the interior were additionally accentuated within the external volume
of the house and represent its main design element. The entire house,
its façades and the roof are covered with the same material,
dark brown HPL panels, which, in contrast to large openings, make
its volume more compact.

The ground floor consists of a living area, which extends to the outer
environment through wooden terraces, some of which are roofed over,
while others are open to the sky, winding up in completely natural
pebbled areas amid grass. Unlike the living room and the dining area,
contact between the kitchen and the exterior is not as direct. Nevertheless,
the placement of the kitchen in an otherwise unfavorable position
in relation to neighboring homes and the surrounding terrain was auspiciously
counterbalanced by the introduction of a broad corner window set level
with the garden lawn. Hence the work surface, placed alongside the
window, appears to stretch out toward an open expanse of the garden.
The unfortunate position of an access road running alongside the entire
length of the plot makes opening from the living room area to the
most desirable southern vantage impossible. Consequently the southern
area is modestly covered in a triangular glass shell that rises towards
the southwestern corner and connects to the expansive glass surfaces
of the western part of the house which are wholly open, thus connecting
the living room with the garden.

The main accent in the interior is a wide two-floored hall that signifies
the main connector of the ground and first floors. It is dominated
by a hanging Poulsen artichoke bathed in diffuse zenithal
lighting that comes from a high main window and gives the entire area
a unique atmosphere.
The first floor consists of intimate areas; a work area, parent and
childrens zones, from which one may take in a most breathtaking
view through a corner window.
Built-in closets on each story have been integrated completely into
their surroundings with color and materials, thus enabling a minimal
amount of visible and movable furniture. Floors of oiled teak and
white walls create a respectable foundation for any color intervention
which might take place in the future.
Special attention was given to the lighting of the rooms. Toilet and
wardrobe areas are lighted with roof lights in order to provide them
with as much natural and superior quality illumination as possible.
The fitness room is situated in the basement and gets its only source
of light through round glass ceiling lights placed along the southern
glass surface of the living area floor. This position was also assigned
for the placement of larger house plants in order to create an additional
visual barrier towards the street.
The boiler room, wellness area and wine cellar are also in the basement.
All lights are incorporated in a lowered ceiling that hides heating
and air-conditioning systems, which are vented from fan coils in wardrobes
and floors throughout the house.
At the very bottom of the sloping lot, there is a two car garage,
which is buried in the land and hidden from view of the house. The
entire slope maintains the natural look of a grass meadow with meandering
stretches of thicker greenery. Original tall shade trees and fruit-bearing
trees, along with an alley of cypresses, were preserved along the
access road to the garage.
Sensitive contacts with neighboring plots and edges along the street
were solved with concrete walls, while visible garage walls were treated
with coarsely grained green-grey marble panels. Walking areas and
access paths to the house were covered with granite cubes.
Simplicity and compactness of volume, a limited choice of materials
and resultant colors in the end make the house look like a piece of
fine dark chocolate placed atop a green meadow.
House N images / information from 3LHD Architects
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Croatian Architect Studios
Another Croatian house design by 3LHD : House
K
Croatian Architecture - Selection
Spaladium Centar, Split

photo : Domagoj Blazevic
Aula Ivana Pavla II, Rijeka

photograph from the architect
Zamet Centre, Rijeka

picture from 3LHD

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House N - page : adrian welch / isabelle lomholt |
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