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Belgrade Theatre, Coventry, Architect, Images, Extension, Project, News, UK
Belgrade Theatre Coventry : Architecture
Key Building in Warwickshire, Midlands, central England
Date: 2007
Architects: Stanton Williams

In late 2002 Stanton Williams was appointed to design a major extension
for the Belgrade Theatre following a limited competition. The competition
called for a building that would have its own strong identity, be
at the heart of Coventrys regeneration, and create a focal point
for a new cultural quarter. The £11m project, accommodating
a new studio theatre, rehearsal space and dressing rooms, foyer, bar,
box office and refurbishment of the existing building opened in September
2007.
Context: The context for the new theatre consists of a variety of
buildings with some extreme changes in scale (a nineteenth century
pub, 1960s office buildings, residential towers). At least half
of the context is not yet built including the new Belgrade Plaza development
of shops, apartments, and hotels that will surround the new building
in the next few years.
Within the local area changes in patterns of use have occurred in
recent decades and the Belgrade Theatre has found itself to be the
wrong way round - a main entrance designed to receive people
from Corporation Street on the city centre side became little used,
and the rear fire escape entrance much used as it faced the car parks
and ring road.
The design creates a new entrance and extended foyer. By re-orienting
the Theatre, it can now successfully receive the 90% of its visitors
arriving from the adjacent car park, and engage with the new development
to be carried out in the near future.
Concept: The form of the new building responds to the jumps in scale
that exist in the surrounding urban fabric, and also anticipates and
takes on the future high-density development that will form its new
setting.

It is thus both bold and dynamic. Architecturally, the spaces that
it embraces, and that it implies around itself, are as important as
the form itself.
The building pushes upwards to establish vertical space and to assert
the theatre in the anticipated new context. In a series of stepped
moves, it locks back into the existing building.
The cubic forms orchestrate the context and then fold in to the interior
volumes. Light, movement and energy slide inside and outside between
the volumes.
The final form of the building was developed through a sculptural
process. In essence it is derived from a main cube (accommodating
the B2 studio theatre) and a sub-cube (accommodating the rehearsal
room). These are dislocated from each other to create circulation
spaces and a terrace.
This form is then developed in the most direct way possible - with
simple (and economical) materials and colour that articulates the
pieces.
The Theatre Space: The B2 studio theatre is housed within a concrete
cube. The unusually high volume gives proportions that draw
the walls in to increase the sense of intimacy within the space.
In a way we have created a found space and this then allows
a wide range of theatrical propositions and dramatic configurations
to inhabit the space now and into the future.
The original design was developed as a timber horseshoe - shaped courtyard
theatre (the Shakespearean wooden O). This design was
eventually abandoned in favour of a non-specific orthogonal form that
would give a greater degree of performance flexibility. The final
design is thus a series of suspended steel gantries with three balcony
levels (one of which is a technical gallery).
Construction and Materials: The new auditorium structure and facilities
are constructed in insitu concrete. The interior finish of the auditorium
comprises a standard fair faced concrete finish for half of the wall
surfaces, whilst the remaining is made with a black pigment concrete
which has subsequently been grit blasted. The new foyer, which links
the new auditorium structure back to the existing building, consists
of a structurally independent double height steel frame with an insitu
mezzanine cast on permanent steel decking. The back of house areas
are utilitarian to allow the theatre the ability to continually adapt
their services as required.
Belgrade Theatre images / information from Stanton Williams Architects
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Belgrade Theatre extension
architects : Stanton Williams
Coventry Cathedral architect
: Basil Spence
Birmingham Architect Practices
Birmingham Buildings
Coventry Buildings
Other examples of Coventry Architecture welcome
Coventry Phoenix
Project architects : MacCormac Jamieson Prichard

World Architecture : e-architect
- key buildings across the globe
Comments / photos for the Coventry Architecture page welcome: info@e-architect.co.uk
Belgrade Theatre Coventry Building - page : adrian welch / isabelle
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