The Clyfford Still Museum Building, Colorado Gallery Building, Project, Design, USA
The Clyfford Still Museum, Denver : Colorado Architecture
The Clyfford Still Museum Denver - design by Allied Works Architecture
28 Nov 2011
The Clyfford Still Museum Denver
Design: Brad Cloepfil + Allied Works Architecture
ALLIED WORKS COMPLETES THE CLYFFORD STILL MUSEUM IN DENVER’S CULTURAL DISTRICT
New York City – Following an international architecture competition in 2006, Allied Works was selected to design the single artist museum dedicated to the work of Clyfford Still. Opened to the public on November 18th, the museum houses 94% of Still’s total creative output, spanning nearly six decades of work.
Allied Works’ design provides visitors with an intimate environment to experience the art of Clyfford Still. The Clyfford Still Museum building is a dense, cantilevered two-story building of richly worked concrete. Featuring nine light-filled galleries on its second level, as well as a library, educational and archival resources, a conservation studio, and collection storage on its first floor, the 28,500-square-foot museum creates a compelling environment in which to view and appreciate Still’s work and learn about his life and impact.
“This new building for the work of the artist Clyfford Still provides an intensely intimate and introspective relationship with his art,” said architect Brad Cloepfil. “The building is conceived as a nearly geologic experience, one that firmly holds both visitor and art in spaces amplified by natural light. The sequence from city, to park, to building creates a ceremony of repose that prepares the visitor for a personal and very physical relationship with this incredibly important body of drawings and paintings— whose power and presence are revealed in natural light for the first time.”
photographs : Jeremy Bittermann
One first encounters the museum through a grove of trees and landscaped forecourt, which provides a place of contemplation, decompression, and transition from the museum’s surrounding urban context. Through the trees, the structure of the building is visible, consisting of cast-in-place architectural concrete walls with a variety of surface relief and texture. The façade features thin, vertical lines of concrete that project from the building’s surface in a fractured, organic, and random pattern, creating a rich surface that changes in the intense Denver sunlight and forms varied shadows across the building.
The entry is revealed beneath a canopy of trees, and visitors are welcomed into the museum by a low, long reception lobby. Visitors rise from the lobby and reception area toward the natural light falling from the galleries on the second floor. The museum’s second level features nine light-filled galleries, totaling approximately 10,000 square feet. Each gallery is distinctly defined and proportioned to respond to specific aspects and needs of the collection and helps trace the different phases of Still’s career in chronological sequence. Gallery heights vary to accommodate changes in scale and media; those with 18-foot-high ceilings showcase Still’s monumental Abstract Expressionist canvases, some of which extend to over 12 feet tall and 16 feet long, while smaller galleries with 11 • foot ceilings create a more intimate viewing environment for the presentation of smaller-scale paintings and works on paper. Two outdoor terraces and an education gallery offer visitors a moment of reflection and investigation during the gallery sequence, and allow them to re-orient themselves with the surrounding and distant landscape. Moving between galleries, visitors are provided glimpses down into the collection storage and interpretive galleries on the first level.
photographs : Jeremy Bittermann
The visitor’s experience of the collection is enlivened by natural light that enters the galleries through a series of skylights over a cast-in-place, perforated concrete ceiling. The geometry of openings in the ceiling creates an even field of soft and changing daylight in the galleries. Diffusing glass, motorized shades, and electric light give curatorial flexibility to the gallery spaces, helping to support different gallery configurations and the museum’s rotating exhibition program.
Upon completing the primary gallery sequence, visitors may descend back to the museum’s first level to explore the painting storage, archive, and exhibition spaces viewable from above. An open double-high corridor connects these facilities and serves as an exhibition hall allowing visitors to further their learning of the history and life of Clyfford Still. A “timeline” section of the corridor places the artist’s work in context with historic events and other artistic movements, and an “archive” hallway presents the everyday artifacts of the artist’s life and information about his painting technique and media. From this corridor, visitors are also able to view the collection storage rooms, and assess the number of paintings produced during the artist’s prolific career. A visible conservation lab and a research center offer visitors additional resources for furthering their knowledge of Still’s career. This open corridor speaks to the institution’s founding principle of unveiling this once-private and very personal collection to the public, as it invites a gradual immersion in the works of Still.
ABOUT ALLIED WORKS
Allied Works is an interdisciplinary architecture and design practice that operates from offices in New York City and Portland, Oregon. The firm was founded in 1994 by Brad Cloepfil after a decade of study, teaching and professional practice. In the years since its inception, Allied Works has completed a wide range of cultural, educational, commercial, residential and planning projects across the U.S. and internationally.
Concept Models by Allied Works:
models : Allied Works
The early years of Allied Works helped to establish the critical position and reputation of the firm. In 1994, Cloepfil authored an architectural treatise entitled ‘’Sitings: Five Reflections on Architectural Domain’’. The project envisioned a series of five site interventions in diverse landscapes across the Pacific Northwest. The first built project to receive widespread recognition is the Maryhill Overlook in 1998. Located in the Columbia River Gorge, the Overlook is the first completed ‘’Sitings’’ project. It was followed by the Wieden+Kennedy Building in 2000, a transformation of an historic warehouse in Portland’s Pearl District for the world headquarters of an international advertising agency.
In 2003, Allied Works completed their first major cultural building - the Contemporary Art Museum St. Louis in Missouri. Recent cultural and educational projects include a major expansion of the Seattle Art Museum , the Booker T. Washington High School for the Performing and Visual Arts in Dallas, Texas, the redesign of 2 Columbus Circle for the Museum of Arts and Design in Manhattan, the renovation and expansion of the University of Michigan Museum of Art in Ann Arbor, and the Clyfford Still Museum. In 2011, Allied Works also completed a new creative workspace for an animation studio in Emeryville, California.
Over the same period, Allied Works has completed a number of private residences in urban and rural landscapes. Among these are the Sun Valley Residence in Idaho, the Portland Heights Residence and 2281 Glisan Street in Portland, Oregon, the NYC Loft in Manhattan, and the Dutchess County Residence in upstate New York, which includes a main house, guest house and art barn.
Currently, Allied Works is completing the design for the National Music Centre of Canada in Calgary, Alberta, a 135,000sf performance, education, exhibition and production space dedicated to advancing Canada’s musical heritage. Scheduled to open in 2014, the NMC will be a new landmark in the city and will stand among the nation’s foremost cultural institutions. Additional works include a new arts building for Catlin Gabel School in Portland, Oregon, master planning and a major building redevelopment for the Pacific Northwest College of Art, and a master plan and new facilities for Sokol-Blosser Vineyards.
AWARDS AND RECOGNITION
Allied Works has been widely published in magazines and journals throughout the US, Europe and Asia. The firm released its first book, entitled ‘’Allied Works Architecture, Brad Cloepfil – Occupation’’ in May 2011. The practice has received numerous awards, including an American Institute of Architects, Regional Honor Award, 2009.
photographs : Jeremy Bittermann
About The Clyfford Still Museum
The Clyfford Still Museum was founded to promote public and scholarly understanding of the late artist’s work and legacy, through the presentation and preservation of the Clyfford Still and Patricia Still estates, donated to the City of Denver in 2004 and 2005 respectively, and totaling approximately 2,400 artworks. Considered one of the most important painters of the twentieth century, Still (1904 – 1980) was among the first generation of Abstract Expressionist artists who developed a new, powerful approach to painting in the years immediately following World War II. The Stills’ estates—now understood to contain 94 percent of the artist’s total output—as well as his extensive archive, have been sealed off from the public since 1980.
Designed by Brad Cloepfil and Allied Works Architecture and located in Denver, Colorado, the new museum resides in the heart of the city’s Civic Center Cultural Complex, near the Denver Art Museum and its Daniel Libeskind-designed building, the Denver Public Library designed by Michael Graves, and History Colorado designed by David Tryba. For more information about the Clyfford Still Museum, please visit www.clyffordstillmuseum.org.
The Clyfford Still Museum Denver - Building Information
1250 Bannock Street
Denver, CO 80204
Tue - Sun 10 a.m. - 5 p.m
Friday: Open until 8 p.m.
Members and Children under 5 Free
Students/Seniors (65+) $6
Youth (ages 5-17) $3
The Clyfford Still Museum Building images / information from Allied Works Architecture
Allied Works Architecture + Brad Cloepfil
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